Art And The Natural World 1

Art And The Natural World 1

“In life, art and nature continually feed and nourish us, through these roots; we receive the necessary inspirations and reassurance, which we find lacking, in an increasingly arid western society. Through nature, we find our roots, connecting us to our inner creative child, from this; we discover the illimitable expansiveness of the Cosmos itself.

The importance of creative play, in a natural setting, for children and adults alike, enables each to interact, in an atmosphere of mutual joy. Through learning new skills together; painting, making objects and music, telling stories, having fun, we develop an awareness of ourselves, each other and for our environment. This plays a crucial role in keeping the creative spark fanned within us.

In bringing out latent talents, we stretch each other, creating the dynamics for a more beautiful world. With close observation of our natural habitat, we see the infinite diversity of structure, which underlies everything; this connects us to our own internal rhythms, cultivating our sense of naturalness and wonder, for the abundance, within everything.

Art should mirror these resonances, to reveal life’s extraordinary variety, through colour and light, in a subtle manner, which touches for all, the essential oneness of life; this is the healing essence, of art, through nature.

Art has the capacity to reveal universal truths, which awaken the individual to curiosity and helps them find a clearer picture of life. As individuals awaken to the truths within themselves, it enables them to connect to their essential role in life.

Educationalists and politicians want to manage society, yet they fail to understand our fundamental needs, which are creative self worth, through real work. Neither point is being really addressed. As we use our brains and muscles less, as computers and robots marginalize us, we feel neither needed nor wanted, with no jobs, or hopes for the future.

This leads to torpor in the individual, with the malaise transmitted, from adult to child. Seeing life has little meaning, with no respect from society, drives us to the fringes, isolated and alienated. We need, at this time, to learn from indigenous cultures.

In Aboriginal society, which preceded western cave man art, by at least ten thousand years, they took only that which was needed, in order to sustain life. They were sustained by elaborate rituals and myths, Working within, the cycles of nature, as well rounded, individuals, they were capable of telling stories, making music, and creating images in a unique, interaction with life and the cosmos, truly, a high culture.

The development, of the unique creative individualism, of our children should be axiomatic to our educational system. For once a child is nurtured, to develop their intuitive/creative faculties, they have a centredness, a true sense of self esteem and worth, allied to a wholesome self discipline, they open their minds to innocence and the beginnings of an intelligence unhindered by social patterning and conditioning comes forth.

They have the capacity, through the artistic mind, of design, building, repairing, growing, healing, awareness, expansiveness, to roam freely and without prejudice; these skills are needed more than ever.”Au




About Alasdair Urquhart Artist and Poet

I am an Artist, Painter, Writer, Poet , Illustrator, Professional Creative Since I was a young child, the exploration of my universe, has been through mark making. Through the innocence of this process, I found a means of communication with others.......a point of contact. Plants, Animals, People, Birds , Insects....... The Cosmos itself............... ..began to be revealed, before my wide, curious eyes. It opened my life, my heart, my mind, something......... fundamental, was touched deep within me, each and every time. Always new....... It was alchemy.... It was beautiful..... I felt my spirit soar........for I had found, A Universal language. For Man it has ever been thus; since earliest times, it has been one of our most basic modes of interaction. Art, draws on the essence of Nature, the Universe itself; connecting us to her rhythms and illimitable moods. When Ancient Man made marks on cave walls it was to reveal to their peers, the mysteries of also its practicalities; for the need for interdependence in daily duties, if they were to survive.......... never mind thrive. Today, there has never been a greater need for Art. Art celebrates all of the senses; giving the body balance and harmony, the soul and mind, a sense of belonging. In the natural world, the function of each organism is to realise its fullest potentialities - - that is its fundamental ethos. We have a need, and duty, to create a Society in which, each one of us, has a chance to develop, their creative abilities to the fullest, in a caring, nurturing environment. We need to redefine our vision of how we wish the world to be ...... The eternal moment is now. for our world is perishing through this very lack. Art works on the inner and the outer senses. Our children are the future! Unless they are nurtured and esteemed through the Arts the present behavioural poverty in our Society will continue to spiral down........." How would you describe your style of art? It is an internal response to the energies passing through me in the Eternal Now. it has a figurative, colourful element which is a partial response to the visual impressions received. It is a synthesis of all of my senses. ..especially of Intuition and Knowing ....those most internal of journey senses. Describe one of your paintings: It is a portrait of a child...Leela....aged three Her Grandmother commissioned it. My brief was to capture the essence of her nature... before her elfin quality, was lost, to social patterning, and conditioning, which commences, when a child begins to name things.... and their relationship with the essence of an object is lost. She is situated in her garden, a wonderful space, which has a Narnia feel to it. It has been developed over a period of months. On each visit I am growing more empathic to the little one's vision and journey. How do you decide on your subject matter? It decides for me :-) It is an internal process.. a beat begins , an upsurge of energy, taste , touch, smell.. ..all the senses are heightened. I feel gently led .... the internal process is partly rationalized by discerning these feelings, articulating them.... often first in words.... free associations help the fluency, patterns emerge.... ..often unexpectedly ..I love it ...a dance begins and I am led...lovingly on a new journey..... ....always different:) Many of my paintings depict richly detailed scenes and reflect my own deep interest in the lives of people and their work. I believe that..... Lives are not ordinary – all our lives and the way we live them and interact with our environment are important. I hold up a mirror to people and situations. Due to the sale of the previous lovely studio..I have had a beautiful new studio built in my garden.. I am invited out to paint on Tresco, the Isles Of Scilly; The famed sub-tropical Abbey Gardens, and wonderfully diverse geography of this sacred Isle always provide a rich vein of inspiration for me. I spend a lot of time on Dartmoor painting the scenes and wildlife, and on and by the rivers Exe, Teign and Dart in Devon. In Cornwall, I enjoy exploring the coves and cliff paths, the beaches and Ports. Another of my loves is rural France. Initially invited over by Monaco Fine Arts in the early 90’s to paint the scenery of Southern France and Northern Italy; I developed a love of the area and spend as much time as possible exploring and painting in the wine regions particularly. I studied at Dundee College of Art from 1974.... finishing my postgraduate studies there in 1979. I won scholarships from the British Council to Budapest Fine Art Academy, and the Elizabeth Greenshield scholarship twice from Montreal, Canada. I have been exhibited at the Scottish Royal Watercolour Society, the Royal Watercolour Society, and the Royal Institute. Also in numerous galleries in towns across England, Scotland and Wales. My work has also been exhibited and in private collections in Europe, America, Canada and Japan. I have received sponsorship from Rosenstiel’s Fine Art Publishers, London, residencies at Grizedale, and Farringdon. My paintings have been published by Rosenstiel’s, Medici and Parnassus.
Video | This entry was posted in Uncategorized and tagged , , , , , , , , , , , , , , , , . Bookmark the permalink.

3 Responses to Art And The Natural World 1

  1. Skip Kadish says:

    A friend referred me to you. I am in complete agreement with your points of view.
    We must focus upon art and nature in order to continue. I fear we will cause utter chaos if we do not.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s